michele's blog
I Love NY: Permit Rules Get Another Draft
In New York City, the Mayor's Office of Film, Theatre and Broadcast releases a new draft of their permit rules and filmmakers offer their reactions.
November 12th, 2007 | Michele MeekThe Mayor’s Office of Film, Theatre and Broadcasting announced the release of a new draft of the New York City's permit rules. Under the proposed rules, which are designed to codify procedures that have existed in practice since the office was established in 1966, a permit would be required for a shoot if production equipment or vehicles create an obstruction, but not for productions that only use hand-held cameras or tripods that don’t cause an obstruction. What do New York filmmakers think of the new guidelines?
Why bother boggging down independent filmmakers with unrealistic permit and insurance requirements? The New York City Mayor's Office of Film, Theatre and Broadcast sees no reason to, according to their most recently proposed guidelines. And, of course, as a result, they only have to facilitate permits for productions that truly need them.
Everyone wins, really.
Documenting the Documenter
Now in pre-release, Nubar Alexanian's book of photographs chronicles the past 15 years on the set of Errol Morris's films.
November 1st, 2007 | Michele MeekLegendary filmmaker Errol Morris brought us such groundbreaking films as The Thin Blue Line, The Fog of War, and Fast, Cheap, and Out of Control. Now Morris's body of work will be the subject of Nonfiction, a forthcoming book of photographs compiled by Nubar Alexanian, which chronicles the past 15 years of the director's career. The book's release will coincide with Morris's next movie, Standard Operating Procedure, a look at the Abu Ghraib scandal.
Photographer Nubar Alexanian met Errol Morris 15 years ago on assignment for the New York Times Magazine. Errol was the subject of the story, and was just beginning to shoot a film called Six Stories, which turned into Fast, Cheap and Out of Control. After photographing him for a couple of days, Errol asked if he would shoot stills during the filming of his movie.
A Q&A with our readers
After we announced the Independent's return, we got a slew of e-mail. Publisher Michele Meek answers the most common reader questions here
October 10th, 2007We've been thrilled with all the e-mail we've received since the site went live. And we're happy that hundreds of former AIVF members have activated their personal accounts (if you haven't yet done so, please head on over to the Interact page). Meanwhile, we've received a lot of questions, such as "Who are you?" and "Do you want to write about my film?" Publisher Michele Meek responds to these inquiries and more on her blog.
After sending out our email blast to over 10,500 former AIVF members and Independent subscribers, I was pleased to receive an influx of enthusiastic emails. There were also a lot of questions that came up, and I figured it might be helpful for me to answer some of them here for everyone to read.
The Independent is Back!
The 30-year-old magazine devoted to independent media makers makes its online debut
October 1st, 2007As you may have heard, Independent Media Publications has come forward to take over the online and print publication of The Independent, formerly published by AIVF, the Association of Independent Video and Filmmakers. The magazine has been a vital publication to the community of independent media-makers from its first publication in 1978 through July 2006.
See all The Independent's