The Independent's Nikki Chase lists the top 10 filmmakers we think you should watch this year.May 16th, 2011 | Nikki Chase
Wondering who will be named to The Independent's 10 to Watch 2012 list? Here's a reminder of last year's inspiring filmmakers as we put the finishing touches on this year's roll out.
It's time for our annual 10 Filmmakers to Watch list. We’ve pooled our resources and brainpower to get the scoop on who’s who this year.
Via Facebook, The Independent announces our 10 to Watch in 2011 with one filmmaker (and one piece of exclusive content) per day, from May 6th through the 15th.May 6th, 2011
We'll be announcing our annual list of 10 of the most talented filmmakers we think you should keep your eye on by posting exclusive content daily on our Facebook page.
Editor's Note: This collaborative reporting effort was led by Nikki Chase, Maddy Kadish and Beth Brosnan.
At SXSW, Steven Abrams explores the threads between technology, fundraising, and independent filmmaking.March 24th, 2011 | Steven Abrams
What's interactive to the third or fourth power? SXSW and its deepening relationship to all things tech and social media. Steve Abrams comments on how, at this year's fest, the intersection of social networking, fundraising, and technology affected the showcased films and which filmmakers are leading by example.
South by Southwest (SXSW) has become a convergence of film, interactive media, and music, as the lines between these media have increasingly blurred. So it's appropriate that David Dworsky and Victor Köhler's documentary, Press Play Pause, was chosen for an opening night premiere.
After 10 days of Facebook-exclusive interviews, the suspense is finally over: The Independent's 10 filmmakers to keep an eye on in 2010... and the runners-up.February 4th, 2010 | Nikki Chase
They come from all walks of life, and each has a different story to tell. Some have found success, while others are just beginning their careers. And although their filmmaking reflects this diversity, they all have one major thing in common (other than being on this list): talent. Be sure to take notes as you read...you'll want to remember these filmmakers.
Choosing The Independent's 10 to Watch is like trying to predict the future, or the stock market, or the weather in New England. The films on this list are in all stages of production and the filmmakers range from seasoned professionals to debut artists. So you might wonder how we named this particular group. How, exactly, does one go about predicting what 2010 has in store?
I first became aware of AIVF when Martha Gever was editor of The Independent. I marveled at this national organization that put out each month a magazine chock full of weighty, intellectual and critical articles on film and video.
What happened at AIVF over the last 30 years?
Young visionaries bring indie cinemas to small citiesMay 1st, 2006 | Danielle DiGiacomo
In 1973, a young, cinema-loving bohemian couple fled the high rents of Manhattan for the more affordable suburbs of Huntington, NY. Once there, Vic Skolnick and Charlotte Sky found that they had also fled, inadvertently, the vibrant independent cinema scene in New York City, which was then in its heyday, with more than a dozen arthouses sprinkled throughout the boroughs.
Behind the scenes with the short film programmersJanuary 1st, 2006 | Nick Schager
Watching 2,000 short films in four months isnt something you take on in your free time. It requires a finely honed system. For Roberta Munroe, one of the Sundance Film Festivals two short film programmers, that system resembles an assembly line of video playback equipment.
A festival in the world’s most remote capital cityJuly 1st, 2005 | RICHARD SOWADA
As I start writing this, Ive just ejected from my VCR the 349th entry for this years Revelation Perth International Film Festival and well it looks like I picked the wrong week to quit smoking.
Keeping NYC’s Film Forum up and runningOctober 1st, 2002 | Elizabeth Peters
At this moment, my biggest dream is
to find the source of our HVAC leak without having to shut theaters and tear into walls, says Karen Cooper, executive director of New York Citys Film Forum. Theres nothing less glamorous than a broken machine.