Patrick Pearce profiles the Montreal-based organization as it celebrates a decade of documentary activism.September 10th, 2014 | Patrick Pearce
Cinema Politica is the world’s largest campus and community-based documentary screening network, reaching a total audience of over one million across its network each year. Engaged, questioning, eager to take action: this is the type of audience filmmakers dream of.
A mid-August Wednesday evening in a Montreal park. Four hundred people have come out for an outdoor screening of The Corporation.
Senior film critic Kurt Brokaw revisits the reissued 1995 doc, "Red Hollywood."April 8th, 2014 | Kurt Brokaw
Kurt Brokaw matches Thom Andersen and Noël Burch’s tour de force of clips in their 1995 documentary Red Hollywood with a likewise ambitious recap of those clips. Film students take note, thanks to McCarthy, you haven't seen everything yet, but this doc will help you get there. Screening at Film Society of Lincoln Center August 15-21, 2014.
(Thom Andersen, Noël Burch. 1995. USA. 119 min.)
Sandra Schulberg and Richard Pena are organizing the first IndieCollect meeting in NYC on December 9, 2013.December 9th, 2013 | Erin Trahan
IFP founder Sandra Schulberg and former New York Film Festival director Richard Pena are spearheading a national initiative called indieCollect to save American independent films from extinction. The first meeting will be held on December 9th at 6 pm. Click here to learn about the meeting and about the effort, which is not limited to New York City.
Editor's Note: We are posting this email message from Sandra Schulberg at her request as a courtesy to our readers who share concerns over preserving and archiving independent films. We plan to follow this project and report more formally about its status in the future.
After "Budrus," Bacha documents a coming-of-age story set in East Jerusalem.September 10th, 2012 | Rebecca Reynolds
Julia Bacha's follow up to Budrus is My Neighborhood, which follows a young boy who comes of age in East Jerusalem through eviction, protests, and unexpected allegiances. She told The Independent that "the story of My Neighborhood isn’t over. We wanted to get the film out as soon as possible, because we didn’t want the window to close while there was still time to try and stop the settlements there."
In a conversation via Skype over the summer, acclaimed writer/director Julia Bacha talked with The Independent’s Rebecca Reynolds about Bacha’s work at Just Vision, a nonprofit organization dedicated to documenting the lives of Palestinian and Israeli civilians who are working to promote peace and fre
Randi Cecchine speaks with director Seung-Jun Yi about "Planet of Snail," which won best feature-length documentary at IDFA.December 5th, 2011 | Randi Cecchine
"I think every doc director is an activist, their army is visual images," says director Seung-Jun Yi. His film, Planet of Snail, about the blind and deaf poet Young-Chan, just won the best feature-length documentary award at IDFA. Seung-Jun Yi has made documentaries for Korean television and is among a growing movement of filmmakers to break out and expand the form.
For two years South Korean director Seung-Jun Yi and his assistant director took a two-hour subway ride to the home of the deaf and blind poet Young-Chan and his wife Soon-Ho. The couple communicates through a technique of gentle finger tapping called finger-braille, developed by the Japanese deaf and blind professor Satoshi Fukushima.
With limited access to stories from the Afghan point of view, filmmaker Michael Sheridan set up a workshop to give Afghan people the tools to make their own documentaries.September 11th, 2011 | Erin Trahan
From the long walk between work and home to squeezing water from the desert dust, The Fruit of Our Labor depicts daily life in post-9/11 Afghanistan, as told by 10 Afghan filmmakers trained by Community Supported Film.
In the days approaching the 10th anniversary of September 11th, whose stories have you heard? Have they represented the full spectrum of experiences on that date and what has unfolded since? What was the language of their telling?
Doc filmmaker Chris Paine assures viewers and environmentalists--the electric car was just taking a very long nap.July 6th, 2011 | Katherine Brodsky
If you thought the electric car died a slow, tragic death, you're right. And if you're like filmmaker Chris Paine, who helped document its demise in Who Killed the Electric Car? or the inventors and advocates in his new film, Revenge of the Electric Car then you believe, beyond a shadow of the doubt, electric can and will power vehicles of the future. Read what Paine told the The Independent's Katherine Brodsky after his film premiered.
Director Chris Paine is back with a follow-up to his highly touted documentary, Who Killed the Electric Car?, which celebrated the birth and mourned the death of the electric car. With help from a cast of unwavering advocates, Paine resurrects the vehicle in Revenge of the Electric Car.
Via Facebook, The Independent announces our 10 to Watch in 2011 with one filmmaker (and one piece of exclusive content) per day, from May 6th through the 15th.May 6th, 2011
We'll be announcing our annual list of 10 of the most talented filmmakers we think you should keep your eye on by posting exclusive content daily on our Facebook page.
Editor's Note: This collaborative reporting effort was led by Nikki Chase, Maddy Kadish and Beth Brosnan.
The Sixth Camden International Film Festival focuses on filmmakers’ growth as it grows in leaps and bounds itself.September 29th, 2010 | Maddy Kadish
For six years now Ben Fowlie has been luring the documentary world north to the Camden International Film Festival. They come for pitch opportunities, a seminar for film professionals, a semester-long partnership with the University Maine, and for docs that embrace an activist edge.
The Camden International Film Festival (CIFF) is a documentary-exclusive festival that takes place September 29th through October 3rd in a picturesque Maine coastal town. It’s a small, but growing festival founded six years ago by Ben Fowlie, who also programs and coordinates the event.
David Pierotti loves PBS but asks: What would it take for PBS to keep its fiction productions on this side of the pond?September 8th, 2010 | David Pierotti
"You could argue that there's plenty of fiction on PBS. Strictly speaking, that’s true. My complaint is that it all comes with an accent," writes David Pierotti. Why can't his most beloved source of TV programming, PBS, bring the same charisma to its American-made fiction as it does its nonfiction?
As we enter another fall broadcast season and the networks prepare to launch new fare like Mike & Molly or hype established shows such as House and Modern Family, television viewers do not lack choices. Granted, most will be awful, but not awful enough to drive more viewers to my favorite programs over at PBS.