Katherine Brodsky meets up with cast and crew of "A Single Shot" on set in Vancouver.April 24th, 2013 | Katherine Brodsky
You've been working on your movie for how long? Take heart, A Single Shot clocks in around 15 years, probably longer if you factor in how long Matthew F. Jones worked on the novel he later adapted. Katherine Brodsky talks with star Sam Rockwell, the director, producer and others while on set in Vancouver.
As indie filmmakers know, making a film is a long process that requires a passion that burns deeper than the holes is your pocket. There's a certain dedication that goes into bringing a story alive that is borderline obsessive compulsive. But without that commitment, most films will never make it onto celluloid, let alone into movie theatres.
Rebecca Reynolds asks the "Missed Connections" team how they pulled off their festival-favorite comedy on a shoestring budget.September 26th, 2012 | Rebecca Reynolds
On and off-screen partners Kenny Stevenson and Dorien Davies teamed up with producer Lisa Rudin and director Eric Kissack on the indie festival comedy hit Missed Connections, which makes its international debut later this month. Rebecca Reynolds inquires about casting, budgeting, and the recipe for "comedy chops."
Laura Colella's third narrative feature, a summer story about neighborly, multi-generation relationships, stars Colella's real-life housemates and has its world premiere this week.June 13th, 2012 | David Pierotti
"I think everyone has a particular summer when your life took a real shift," says Laura Colella to The Independent's David Pierotti within days of her third narrative feature debut. Colella calls Breakfast With Curtis a no-budget feature. It takes place in her real-life backyard starring her real-life neighbors... and marks at least one character's seminal summer.
Providence, Rhode Island, director Laura Colella was gearing up for the Los Angeles Film Festival earlier this week. Her third narrative feature, Breakfast With Curtis, will get its world premiere screening before an audience on June 14th.
The Independent chooses the 10 Filmmakers to Watch in 2012.June 12th, 2012
The Independent shines a spotlight on 10 innovative filmmakers to keep your eye on this year, and coming years. We've got web series creators, animators, and filmmakers of all genres... and in the last month we've been releasing exclusive new extras on Facebook.
It's another year, and time to announce 10 filmmakers we at The Independent think you should keep your eye on. It's a varied group, to be sure, but each filmmaker has a few key things in common: talent, drive, and the desire to innovate.
Jason Rosette reveals what it takes to get a historically-based narrative feature off the ground in Cambodia.June 1st, 2012 | Jason Rosette
Jason Rosette reports from Cambodia in another installment of his Filmmaker's Journal, four years after his last update. Here he chronicles the ups and downs of getting what he calls his most ambitious project yet, the feature narrative Freedom Deal, off the ground in Cambodia, including the unique ways he's approached casting and fundraising.
I’ve been working in Southeast Asia since 2005, primarily in Cambodia, but also with time spent in Thailand and Vietnam, as an independent film media maker and practitioner for the past six-plus years.
Katherine Brodsky distills what experts at the BNA Atlas International Film & TV Finance Summit had to say about how to get your indie film made and seen.November 22nd, 2011 | Katherine Brodsky
"Self-distribution is not for the faint of heart," is just one of the most salient bits of commentary and advice The Independent's Katherine Brodsky overheard at the Annual BNA Atlas International Film & TV Finance Summit. Jodi Piekoff, Josh Braun, Warren Nimchuk, Ira Deutchman, Wilder Knight, Karrine Behr, Vinca Jarrett are mentioned.
The hot topic at this fall’s BNA Atlas International Film & TV Finance Summit, the 11th Annual in New York, was how to master the business side of film in order to even attempt the creative side. Discussions among those present, myself included, ranged from marketing to financing and distribution.
The Independent's Nikki Chase lists the top 10 filmmakers we think you should watch this year.May 16th, 2011 | Nikki Chase
Wondering who will be named to The Independent's 10 to Watch 2012 list? Here's a reminder of last year's inspiring filmmakers as we put the finishing touches on this year's roll out.
It's time for our annual 10 Filmmakers to Watch list. We’ve pooled our resources and brainpower to get the scoop on who’s who this year.
Via Facebook, The Independent announces our 10 to Watch in 2011 with one filmmaker (and one piece of exclusive content) per day, from May 6th through the 15th.May 6th, 2011
We'll be announcing our annual list of 10 of the most talented filmmakers we think you should keep your eye on by posting exclusive content daily on our Facebook page.
Editor's Note: This collaborative reporting effort was led by Nikki Chase, Maddy Kadish and Beth Brosnan.
Getting your independent film seen often means packing it full of famous actors. At the Toronto International Film Festival, Katherine Brodsky discovered that to be especially true for films made in Canada.September 21st, 2010 | Katherine Brodsky
At the close of the Toronto International Film Festival and after taking in most of the fest's new Canadian releases, Katherine Brodsky noticed a common import: American fame.
Barney's Version is a Canadian film with a lot of stars, especially American ones like Paul Giamatti and Dustin Hoffman.
While shooting Losing Control, director Valerie Weiss discovers that the right support system can trump location changes, technical difficulties, and anything unexpected.April 7th, 2010 | Valerie Weiss
Lights fall and break, talent doesn't show, locations fall through. The process of making a film can be stressful. So, as director Valerie Weiss points out, it's helpful to surround yourself with a supportive family—both on-set and off.
In my last installment of my film journal, I wrote about the importance of pre-production for laying the groundwork for principal photography.