Crew

Film-Friendly State: Shooting in Illinois

Chicago has served as a backdrop for a number of films...but as Jennifer Sheffield found out, Illinois has a lot more to offer than just a pretty skyline.


The Chicago skyline...one advantage of shooting in Illinois. (Photo credit: Stuck in Customs, flickr.com)

In the third installment of The Independent's Film-Friendly State series, we explore the indie ins and outs of Illinois, including tax breaks, the infamous skyline, and why Central Illinois is the next cinematic hot spot -- no, really.

In her role as managing director of the Illinois Film Office, Betsy Steinberg spends a lot of time talking with filmmakers on both coasts and overseas. “In Chicago, and around the state, the abundance of looks is never-ending,” she says. “Every filmmaker says it is the most under-photgraphed place in the movies.”

Film-Friendly State: Shooting in Utah

The Independent's Angela Wu takes an in-depth look at why shooting your next film in the mountains might not be such a bad idea.


Utah's desert: a picturesque backdrop.  (Photo credit paraflyer, Flickr.com)

In the second installment of The Independent's new Film-Friendly States series, Angela Wu explores why, if you're an independent filmmaker, Utah offers much more than Sundance.

From New Hampshire’s “no filming permits” policy to Michigan’s 42 percent tax credit, states are fighting to stay competitive with low-cost international filming locations — and each other. For filmmakers, this means a slew of incentive programs that might make financing your next film a bit easier.

Film Journal: The Importance of Pre-Production

Pre-production is one of the most vital aspects of filmmaking. In the third installment of her journal, Valerie Weiss discusses how she laid the groundwork for a successful film.


Filmmaker Valerie Weiss (L) with Miranda Kent (R), <i>Losing Control</i>'s lead. (Photo by Richard Salazar.)

Filmmaker Valerie Weiss shares her experiences of financing, planning, and producing her first independent feature film Losing Control in this monthly film journal. In her third installment, Weiss writes about the trials and triumphs she experienced during pre-production.

In my first two installments of my Film Journal for The Independent, I wrote about the philosophy behind the $200,000 independent film. In this installment, I will talk about laying the groundwork to make our film at this budget, the period known as pre-production, and how the making of Losing Control reinforced the film's theme that faith is more valuable than proof.

30 Quintessential Books for Independent Filmmakers

The Independent examines the top 30 books every filmmaker should add to their library, and why.


It might be time for a bigger bookshelf. (Photo credit Zen at flickr.com)

Ever wonder what, exactly, independent filmmakers – both aspiring and established – should be reading? Look no further than The Independent's 30 Quintessential Books for Independent Filmmakers. Here, we list the top must-owns, including Independent Feature Film Production, The Filmmaker's Handbook, Sidney Lumet's Making Movies, and From Reel to Deal.

Ever wonder what, exactly, independent filmmakers – both aspiring and established – should be reading?

Voices from Issues Past

What happened at AIVF over the last 30 years?

AIVF: And What it Meant to Me

I first became aware of AIVF when Martha Gever was editor of The Independent. I marveled at this national organization that put out each month a magazine chock full of weighty, intellectual and critical articles on film and video.

Is it okay to bring my kids to along when I'm shooting?

The Documentary Doc answers that question, plus whether you should tell people if you're pregnant


Dear Doc Doctor:
I’m a cinematographer, and I just found out that I’m pregnant. Should I tell people? I can’t afford to lose any jobs right now.

Making a documentary abroad

Don't let the excitement of an exotic locale cloud your judgment, the Documentary Doctor says


Dear Doc Doctor:
I’m planning to make a documentary abroad. Am I better off bringing my own crew or hiring there?

The Ten Commandments of Independent Film Production


Alongside our producer clients, Rudolph and Beer, LLP attorneys have weathered numerous campaigns in the trenches of independent film production. On Slingblade, Sunday, Tumbleweeds, Star Maps, Desert Blue, and many other films, we served as troubleshooters seeking to prevent problems that could devastate production.

SOMEONE TO WATCH OVER ME

Picking a Producer


Picking a producer is like hiring your own boss. Indie veteran Gill Holland offers some words of advice to novice directors looking for that special someone to produce their films

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