January 2010

Pink slips and foreclosure notices. A few years ago, they seemed like some distant reality, something other people faced, people we didn’t know. Increasingly, though, the threat of job loss and foreclosure touches us all in some way. If we aren’t personally facing these issues, a family member, friend, or neighbor likely is.

Editor's Note: This collaborative reporting effort was led by Nikki Chase with help from Maddy Kadish and The Independent's associate editor, Cristina Sousa.

BY WAY OF INTRODUCTION

From New Hampshire’s “no filming permits” policy to Michigan’s 42 percent tax credit, states are fighting to stay competitive with low-cost international filming locations — and each other. For filmmakers, this means a slew of incentive programs that might make financing your next film a bit easier.

You may want to check out part one, which offers a festival overview with a focus on its narrative features.

In my first two installments of my Film Journal for The Independent, I wrote about the philosophy behind the $200,000 independent film. In this installment, I will talk about laying the groundwork to make our film at this budget, the period known as pre-production, and how the making of Losing Control reinforced the film's theme that faith is more valuable than proof.

Two-time Emmy Award winner June Cross has written, produced, or edited about a dozen documentaries in a career that spans more than three decades. She is also an associate professor of Journalism at Columbia University, where she teaches graduate-level courses in reporting and documentary film.