September 2011

Postcard from Northern Ontario

John Charette reports from Sudbury, Ontario about the local films and filmmakers featured at the 23rd Cinefest Sudbury International Film Festival.


From Benjamin Paquette's "A Year in the Death of Jack Richards."

For 23 years, the Cinefest Sudbury International Film Festival has come at the heels of the Toronto International Film Festival. But Cinefest has no red carpet, and the only big name you’re likely to see is on the screen. John Charrette introduces us to one Ontario filmmaker whose name you should know, Benjamin Paquette. His fourth feature, (Non) Fiction premiered at Cinefest over the weekend.

Filmmaker Benjamin Paquette stood stoically by the theater lobby with his crew, his friends and collages. He quietly greeted movie goers as they filed in to the premiere of his fourth feature film, (Non) Fiction, at this year’s Cinefest Sudbury International Film Festival in Sudbury, Ontario.

State of the Film Industry in Southeast Europe

Courtney Sheehan reports from the third annual Cinelink forum at the Sarajevo Film Festival.


Oleg Novkovic's "White White World" is a transnational production of Serbia, Sweden, and Germany.

Tax incentives. Public and private funding. Transnational co-productions. During a year abroad to study regional film festivals and exhibition, Courtney Sheehan takes in Southeast Europe through the lens of presenters at the third annual industry Cinelink forum during the Sarajevo Film Festival.

For the past three years, film professionals from all over Southeast Europe have gathered at the Sarajevo Film Festival (SFF) to discuss the state of the regional film industry during the Cinelink forum, the track of the festival established for that purpose.

Afghan Life According to Afghan Filmmakers

With limited access to stories from the Afghan point of view, filmmaker Michael Sheridan set up a workshop to give Afghan people the tools to make their own documentaries.


The struggle to grow grapes in "Water Ways," (photo by Community Supported Film).

From the long walk between work and home to squeezing water from the desert dust, The Fruit of Our Labor depicts daily life in post-9/11 Afghanistan, as told by 10 Afghan filmmakers trained by Community Supported Film.

In the days approaching the 10th anniversary of September 11th, whose stories have you heard? Have they represented the full spectrum of experiences on that date and what has unfolded since? What was the language of their telling?

Overcoming Overemotion One Chocolate at a Time

Jean-Pierre Améris gets personal about facing social anxiety and how it influenced his latest film, "Romantics Anonymous."


Chocolate is one of the main characters in "Romantics Anonymous." Photo by Antoine Legrand.

"Especially for directors, writers or anyone that is an artist, being overemotional is actually both a gift and a curse. That’s your tool," says Jean-Pierre Améris to The Independent's Katherine Brodsky about his new film, Romantics Anonymous. In the interview and the quirky romantic comedy, Améris lays bare his own struggle with social anxiety, the loneliness all people face, and the universal appeal of chocolate.

No doubt that Romantics Anonymous is a very personal film for director Jean-Pierre Améris. He knows all too well the affliction that his film’s protagonists confront: social anxiety. The unlikely romantic comedy pairs two extraordinarily shy and, yes, emotional people.

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