TIFF 2014: The Cinema Guild is Evolving with Cinephiles On and Offline

Courtney Sheehan talks with Cinema Guild's Ryan Krivoshey about the company's newest distribution strategies.

Recent Cinema Guild acquisition "Jauja" premiered at TIFF 2014.

Sprinkle a little adamant optimism over a new digital partnership with The Flaherty Film Seminar and a heaping embrace of the educational market, and you have a few of the most recent distribution strategies that The Cinema Guild's Ryan Krivoshey discussed with The Independent's Courtney Sheehan at TIFF.

In recent years, the The Cinema Guild has cemented its position as a leading distributor of independent, foreign, and documentary films.

TIFF 2014: Drafthouse’s Tim League on the State of Distribution and Oppenheimer’s “The Look of Silence”

At TIFF 2014, Courtney Sheehan meets up with Tim League to get his latest take on distribution.

Drafthouse picked up "The Look of Silence" at the end of August.

From his purview at TIFF 2014, Drafthouse's Tim League weighs what is and isn't apocalyptic about the future of distribution in a season of down box offices and new acquisitions such as Joshua Oppenheimer's The Look of Silence.

Forty-eight hours before Joshua Oppenheimer’s The Look of Silence won the Grand Jury Prize at Venice (it’s also been awarded best film prizes from FIPRESCI and others), Tim League of Draft

From Screen to Political Action, Cinema Politica is a Global Catalyst

Patrick Pearce profiles the Montreal-based organization as it celebrates a decade of documentary activism.

Ten years after founding Cinema Politica, Svetla Turnin, Ezra Winton, and their organization, are still going strong.

Cinema Politica is the world’s largest campus and community-based documentary screening network, reaching a total audience of over one million across its network each year. Engaged, questioning, eager to take action: this is the type of audience filmmakers dream of.

A mid-August Wednesday evening in a Montreal park. Four hundred people have come out for an outdoor screening of The Corporation.

10 Filmmakers to Watch in 2014: Miho Yamamoto

Miho Yamamoto is on our 10 Filmmakers to Watch in 2014 for producing the documentary "The Exhibition."

Miho Yamamoto accepting the FRONTLINE Award for Journalism in a Documentary Film at the Salem Film Fest for "The Exhibition."

From making news to making indie films, Miho Yamamoto is on our 10 to Watch list for her work on the powerful documentary about one of Canada's most horrific crimes, The Exhibition.

In the mid-2000s Miho Yamamoto was called to the station in the middle of the night to cover breaking news in her home country of Japan. She bristled at the restrictions of corporate media yet again (“you can’t release this and you can’t talk about this,” she says) because it left the wrong impression with listeners. “I felt my hands were bound.

Now Playing (Again): "Fort McMoney"

LJ Kessels returns to the virtual world of Canadian oil fields as a player of "Fort McMoney."

Fort McMoney: Where Film Meets Video Game.

Fort McMurrey's oil production represents 20 percent of Canada's GDP says the trailer to the interactive reality doc, Fort McMoney. As a result, everything there is larger than life. The real-time game, divided in episodes, is back on and anyone can dip their toe in the oil through February 16th.

David Dufresne’s interactive documentary game is back for a second round.

The Free Spirits of Contemporary Canadian Cinema

Patrick Pearce asks Canadian filmmakers about what's happening in its regional cinema and why.

Isaka Sawadogo stars in Frédérick Pelletier's "Diego Star," which picked up two jury awards at FNC.

The Independent’s Patrick Pearce gets the inside scoop on Festival du Nouveau Cinéma's Canadian line-up from directors featured at the fest: Raphaëlle Bilodeau (Épicentres), Ashley McKenzie (Stray), Frédérick Pelletier (Diego Star), and Elza Kephart (Go Into The Wilderness).

Montréal’s Festival du Nouveau Cinéma (FNC) just wrapped up its 42nd edition.

Zero Time with Programmer Julien Fonfrède

Patrick Pearce offers up an evening in the life of FNC Temps 0 section programmer Julien Fonfrède.

Sylvia Camarda in "The Strange Colour of Your Body's Tears."

Montréal's Festival du Nouveau Cinéma is running on all cylinders through October 20, 2013. Mid-festival, Patrick Pearce caught up with programmer Julien Fonfrède to find out just exactly he was looking for when selecting films for the edgy Temps 0 section.

“That day is not good for him—he’s really tied up,” writes my usually agreeable Festival du Nouveau Cinéma (FNC) communications point person.

Tribeca 2013: From Novel to Screen in "A Single Shot"

Katherine Brodsky meets up with cast and crew of "A Single Shot" on set in Vancouver.

William H. Macy in "A Single Shot."

You've been working on your movie for how long? Take heart, A Single Shot clocks in around 15 years, probably longer if you factor in how long Matthew F. Jones worked on the novel he later adapted. Katherine Brodsky talks with star Sam Rockwell, the director, producer and others while on set in Vancouver.

As indie filmmakers know, making a film is a long process that requires a passion that burns deeper than the holes is your pocket. There's a certain dedication that goes into bringing a story alive that is borderline obsessive compulsive. But without that commitment, most films will never make it onto celluloid, let alone into movie theatres.

The New in Nouveau is a Moving Target

Festival du Nouveau Cinema's Philippe Gajan considers the shifting landscape of his programmatic specialities: short format and new media.

"Daytona" is a short that's shot in the "real" world with actors.

Festival du Nouveau Cinema's Philippe Gajan explains how web docs are new media and not just documentaries on the web: "The place of the viewer is completely different now. You can choose the way you participate in the documentary." The Independent's Patrick Pearce gets the whole scoop on how the definition of nouveau changes from year to year.

Montreal’s Festival du Nouveau Cinema deals in the new, from new cinematic territories to new media forms that take their cues from film.

Adam Cohen on the Marriage of Music and Film (he's for it)

Katherine Brodsky stops into the third annual Festival Music House during the 2012 Toronto International Film Festival.

Adam Cohen's 2011 album cover for Like a Man.

Festival Music House invites Canadian musicians to apply for a spot on their three-day invite-only concert line-up that coincides with the Toronto International Film Festival. Mixing, matching, and marriage between motion picture and sound is encouraged and one of this year's featured performers, Adam Cohen, has no problem with that whatsoever.

The Festival Music House set up camp at the 2012 Toronto International Film Festival for the third consecutive year. The invite-only three-night event lured in top Canadian indie musicians and put them in front of filmmakers, producers, and other film industry types.

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