Patrick Pearce asks Canadian filmmakers about what's happening in its regional cinema and why.October 22nd, 2013 | Patrick Pearce
The Independent’s Patrick Pearce gets the inside scoop on Festival du Nouveau Cinéma's Canadian line-up from directors featured at the fest: Raphaëlle Bilodeau (Épicentres), Ashley McKenzie (Stray), Frédérick Pelletier (Diego Star), and Elza Kephart (Go Into The Wilderness).
Montréal’s Festival du Nouveau Cinéma (FNC) just wrapped up its 42nd edition.
At 65, Patrice Leconte makes his first English-language film, the quietly romantic "A Promise."September 25th, 2013 | Katherine Brodsky
Veteran French filmmaker Patrice Leconte makes his North American and English-language debut at TIFF 2013 with A Promise. He told The Independent, "I realize that my life, day after day, is totally turned to focus on movies and I'm not sure whether it's good or not that I let myself be invaded to that point." And yet, romance like what's in this film is what helps him feel most alive.
A Promise is a romantic drama filled with silent glances, small gestures, and hidden emotions. It is set in Germany, just before WWI, and revolves around a married woman (Rebecca Hall) who falls in love with her husband's (Alan Rickman) protégé (Richard Madden).
Katherine Brodsky crashes a reunion with "Cinemanovels'" key actors and writer/director Terry Miles.September 19th, 2013 | Katherine Brodsky
Writer/director Terry Miles and actor Lauren Lee Smith pooled personal resources to make Cinemanovels. Partly that meant money. Mostly it meant something far more personal: trust. Jennifer Beals joined the duo in making this story about a woman who assembles a retrospective of her father's film work after his death.
This may well be a cautionary tale of having good email etiquette. After wrapping Terry Miles' A Night for Dying Tigers (2010) actress Lauren Lee Smith sent Miles a note thanking him for the experience and saying how great it would be to work together again some day.
Third generation Trosts, siblings Jason and Sarah, combine hyphens and skills for an indie trifecta.July 1st, 2013 | Rebecca Reynolds
You can't dump siblings and they don't blow smoke up your $#@... Rebecca Reynolds talks to siblings Jason and Sarah Trost about their collaboration on three indie projects, The FP, All Superheroes Must Die, and Wet and Reckless.
In the land of Hollywood hyphens, the Trost family shares more than titles and a familiar last name. Together, they have enough skills to staff their own projects.
Dawn Porter makes our 10 to Watch list in 2013 with her documentary "Gideon’s Army."May 2nd, 2013 | Mike Sullivan
Since her Sundance premiere, Dawn Porter has been turning heads and hearts with Gideon's Army, her first feature documentary about the tough but vital role of public defenders in the US justice system. Here's why The Independent has an eye on her in 2013.
The odds may be long, but it is possible to see your first film be accepted by Sundance, win a Sundance award, and be bought by HBO. All you need is talent, passion, drive, determination, discipline, great collaborators, support, luck, perspective, intelligence and a killer idea at the perfect time. Do you have all that?
Jared M. Gordon interviews graduate program directors at schools in Pennsylvania, Virginia, Illinois, and Nevada.March 26th, 2013 | Jared M. Gordon
Jared M. Gordon is convinced that studying screenwriting outside of NY or LA can greatly benefit budding scribes. He spoke to graduate program directors at Carnegie Mellon University, Hollins University, Northwestern University, and the University of Nevada, Las Vegas to gather facts and substantiate his theory.
You don’t have to spend your whole savings and attend a graduate program in Los Angeles or New York to learn screenwriting. In fact, could a program, unshackled from geographic proximity to Hollywood, actually be a unique and advantageous experience for its students?
Festival du Nouveau Cinema's Philippe Gajan considers the shifting landscape of his programmatic specialities: short format and new media.October 29th, 2012 | Patrick Pearce
Festival du Nouveau Cinema's Philippe Gajan explains how web docs are new media and not just documentaries on the web: "The place of the viewer is completely different now. You can choose the way you participate in the documentary." The Independent's Patrick Pearce gets the whole scoop on how the definition of nouveau changes from year to year.
Katherine Brodsky talks with director Robert Connolly, who premiered an adapted biopic of Julian Assange at TIFF 2012.October 11th, 2012 | Katherine Brodsky
Timing is everything. Though Robert Connolly took six years to make his last film, he turned out the first Julian Assange biopic in a year. The Independent's Katherine Brodsky caught up with him at TIFF 2012.
Hushed tones. Top-secret documents. Governments, pissed-off across the globe. Whether praised or demonized, few people can debate the significance of Australian-born Julian Assange, founder of the contentious WikiLeaks.
At TIFF 2012, Katherine Brodsky talks with Canadian short filmmakers about the benefits of an abbreviated form.September 29th, 2012 | Katherine Brodsky
Shorts programs may not garner headlines, or coverage at all for that matter, but there are MANY reasons to cut it short. The Independent's Katherine Brodsky spoke to five Canadian filmmakers at Toronto International Film Festival about why short is soo sweet.
Sometimes it's difficult to see beyond the flashing bulbs, glitz, and glamour of a high-profile film festival like the Toronto International Film Festival, or TIFF. There's no shortage of star power and tent-pole films. Even the top indie features have to fight to get noticed and are the unsung heroes of festivals.
Rebecca Reynolds asks the "Missed Connections" team how they pulled off their festival-favorite comedy on a shoestring budget.September 26th, 2012 | Rebecca Reynolds
On and off-screen partners Kenny Stevenson and Dorien Davies teamed up with producer Lisa Rudin and director Eric Kissack on the indie festival comedy hit Missed Connections, which makes its international debut later this month. Rebecca Reynolds inquires about casting, budgeting, and the recipe for "comedy chops."