July/August 2003

What is a DDR, and is it right for you?


A new breed of tool has recently appeared on the DV filmmaking landscape. Unfortunately, these new devices do not share a common name and are known by various manufacturers as DV Direct to Edit Disk Recorder, Video Disk Unit, or Direct to Disk Recorder (DDR) which is how I will refer to them in this article.

Capturing The Friedmans Online

The making of a film’s website


Almost every film that is released these days has its own website. Filmmak-ers, distributors, and studios have all learned the promotional value of the web when it comes to getting their films out into the world. One can go to a film’s site and view trailers, read the credits, the reviews, and experience the “hype.” But independent films are not Harry Potter 1, 2, or 3.

High-Tech Homebrew

Special Effects for the Budget-Challenged Filmmaker


The past few years have seen significant advances in the tools for creating visual effects with desktop computers. Yet these tools cost at least a few hundred dollars and can quickly move into the thousands with the addition of plug-ins and ancillary tools.

Distributor FAQ: Facets Multi-Media


What is Facets?
Facets Multi-Media is an arts organization based in Chicago, Illinois. We also have the world’s largest and most unique collection of foreign, classic American, independent, experimental, documentary, cult, fine arts, and children’s videos and DVD’s. The Facets collection represents over fifty thousand individual titles.

Q&A with Milos Stehlik of Facets Multi-Media

How this distributor looks for "great films that have fallen through the cracks"


What is Facets?

Little Rock, Arkansas

All-Out Independent


Little Rock, Arkansas, became a national focus during the eight years of Bill Clinton’s presidency, but Little Rock has always been a state and regional hub, not only for politics (before Clinton, there was Fulbright, McClellan, and later, Bumpers), but also for the arts and for artful living. Its redesigned riverfront features fine dining, live music, and an upscale marketplace.

The Strange and Wonderful World of "American Splendor"


From American Splendor’s first shots, you know you are watching something unusual: It’s Halloween, 1950, and the neighborhood runts are trick-or-treating, all done up as their favorite superheroes—except for one rebellious runt, who has stubbornly donned his street clothes. “I’m Harvey Pekar,” he tells a curious neighbor. “I ain’t no superhero, lady.

Counter-Currents and the Joy Quotient

Redefining Experimental Media


The label “experimental” has been troubling me for a while now. For too many people, the word only conjures up the films of Brakhage, Mekas, Anger, etc. So much so that the very term has calcified within the minds of hipsters and film aficionados alike—ending the canon in the seventies.

Two Steps Back

FCC Rolls Back Media Ownership Laws


The Federal Communications Commission has voted to loosen media ownership laws, allowing one company to own television stations that reach forty-five percent of the American viewing audience (up from thirty-five percent). The new rules also permit cross-media ownership. Now, one corporation can own both a television station and a newspaper in the same market.

The View from the Whitney

ANN LEWINSON INTERVIEWS CHRISSIE ILES


Chrissie Iles is the curator of film and video at the Whitney Museum of American Art and has been curating for twenty-three years. Before joining the Whitney in 1997, she was head of exhibitions at the Museum of Modern Art in Oxford. Her Whitney exhibit, Into the Light: The Projected Image in American Art 1964-1977, is currently touring Europe.

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