The making of a film’s websiteJuly 1st, 2003 | Maya Churi
Almost every film that is released these days has its own website. Filmmak-ers, distributors, and studios have all learned the promotional value of the web when it comes to getting their films out into the world. One can go to a films site and view trailers, read the credits, the reviews, and experience the hype. But independent films are not Harry Potter 1, 2, or 3.
Special Effects for the Budget-Challenged FilmmakerJuly 1st, 2003 | Greg Gilpatrick
The past few years have seen significant advances in the tools for creating visual effects with desktop computers. Yet these tools cost at least a few hundred dollars and can quickly move into the thousands with the addition of plug-ins and ancillary tools.
What is Facets?
Facets Multi-Media is an arts organization based in Chicago, Illinois. We also have the world’s largest and most unique collection of foreign, classic American, independent, experimental, documentary, cult, fine arts, and children’s videos and DVD’s. The Facets collection represents over fifty thousand individual titles.
How this distributor looks for "great films that have fallen through the cracks"July 1st, 2003 | Jason Guerrasio
All-Out IndependentJuly 1st, 2003 | Kay Frances Scott
Little Rock, Arkansas, became a national focus during the eight years of Bill Clintons presidency, but Little Rock has always been a state and regional hub, not only for politics (before Clinton, there was Fulbright, McClellan, and later, Bumpers), but also for the arts and for artful living. Its redesigned riverfront features fine dining, live music, and an upscale marketplace.
From American Splendors first shots, you know you are watching something unusual: Its Halloween, 1950, and the neighborhood runts are trick-or-treating, all done up as their favorite superheroesexcept for one rebellious runt, who has stubbornly donned his street clothes. Im Harvey Pekar, he tells a curious neighbor. I aint no superhero, lady.
Redefining Experimental MediaJuly 1st, 2003 | Cauleen Smith
The label experimental has been troubling me for a while now. For too many people, the word only conjures up the films of Brakhage, Mekas, Anger, etc. So much so that the very term has calcified within the minds of hipsters and film aficionados alikeending the canon in the seventies.
FCC Rolls Back Media Ownership LawsJuly 1st, 2003 | Charlie Sweitzer
The Federal Communications Commission has voted to loosen media ownership laws, allowing one company to own television stations that reach forty-five percent of the American viewing audience (up from thirty-five percent). The new rules also permit cross-media ownership. Now, one corporation can own both a television station and a newspaper in the same market.
ANN LEWINSON INTERVIEWS CHRISSIE ILESJuly 1st, 2003 | Ann Lewinson
Chrissie Iles is the curator of film and video at the Whitney Museum of American Art and has been curating for twenty-three years. Before joining the Whitney in 1997, she was head of exhibitions at the Museum of Modern Art in Oxford. Her Whitney exhibit, Into the Light: The Projected Image in American Art 1964-1977, is currently touring Europe.