January/February 2004

Colorvision

Marc Johnson's Enlightening New Series


Marc Henry Johnson, executive producer and chief visionary of the newly premiered public television series Colorvision, is a passionate advocate for fair and balanced representation of minority cultures on our airwaves and movie screens. Disarmingly affable, Johnson is also politically savvy, articulate, and inclusive-minded.

Sam Chen

Computer-Animated Biopic Strikes a Chord


Oftentimes an independent filmmaker requires the support of an army of many—actors and crew—to nurture his or her film into fruition. In the case of director-producer Sam Chen’s computer-animated short film Eternal Gaze, a biopic on the life and art of Swiss sculptor Alberto Giacometti, the required support came down to an army of one.

Festival Circuit

2003 Mill Valley Film Festival


Nestled next to majestic Mt. Tamalpais and filled with four-star restaurants, fine watering holes, and numerous natural wonders, the small city of Mill Valley nestled in Northern California’s Marin County provides a great backdrop for a relatively small but exceptional film festival.

The FCC Showdown

Can Independents Win The Battle?


On October 22, 2003, the FCC held a hearing on localism in Charlotte, NC. FCC chairman Michael Powell probably wished he’d stayed home.

Sweet Sixteen

Shooting up with 16MM


MAY 10, 2003

Digital Intermediates

It's Not Your Parents' Technique


Your next film probably won’t be digitally mastered. But the one after that probably will be. That’s how fast the costs of a digital intermediate are falling, even as the quality and benefits of digital mastering rise.

Detroit, Michigan

Slowly grows fertile for filmmakers


Over the course of two generations, Detroit has gone from a symbol of American industrial pro-wess to a shorthand term for the worst of American urban decay. The city’s hardest days are over, though—the days when commentators were calling Detroit a third-world city or, as Diane Sawyer once said, “the first urban domino to fall”—and there are real signs of recovery.

Ask the Documentary Doctor


Dear Doc Doctor:

Is a short film the obligatory starting point of a filmmaking career? If so, what can I do with it when it’s finished? It doesn’t seem to make financial sense to make a short.

Paul Robeson Fund for Independent Media

Jason Guerrasio interviews Trinh Duong


What is the Paul Robeson Fund for Independent Media?

It is a fund that gives grants to video, film, and radio programs.

How long has it been in existence?

48 Hour Picture People


At 7:00 p.m. on a Friday night, more than twenty teams of filmmakers gather at a local film center or bar. In a random drawing one member of each team picks a film genre out of a hat. Every team is then given the same character, prop, and line of dialogue they’re required to include in a film—a film they will write, shoot, and edit in less than 48 hours.

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