January/February 2004
Aaton’s Cantar & A-Minima
January 1st, 2004 | Greg GilpatrickAaton, the innovative French camera and audio manufacturer, has recently released two new and remarkable productsthe Cantar digital audio recorder, and the A-Minima Super16 film camera. The A-Minima is a film camera built to operate like a DV camera, while the Cantar is a digital audio recorder that operates much like a standard reel-to-reel recorder, but records to an internal hard drive in a way that surpasses other digital means like DAT or DV cameras.
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Colorvision
Marc Johnson's Enlightening New Series
January 1st, 2004 | Christine SchomerMarc Henry Johnson, executive producer and chief visionary of the newly premiered public television series Colorvision, is a passionate advocate for fair and balanced representation of minority cultures on our airwaves and movie screens. Disarmingly affable, Johnson is also politically savvy, articulate, and inclusive-minded.
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Sam Chen
Computer-Animated Biopic Strikes a Chord
January 1st, 2004 | Neil KendricksOftentimes an independent filmmaker requires the support of an army of manyactors and crewto nurture his or her film into fruition. In the case of director-producer Sam Chens computer-animated short film Eternal Gaze, a biopic on the life and art of Swiss sculptor Alberto Giacometti, the required support came down to an army of one.
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Festival Circuit
2003 Mill Valley Film Festival
January 1st, 2004 | Brendan PetersonNestled next to majestic Mt. Tamalpais and filled with four-star restaurants, fine watering holes, and numerous natural wonders, the small city of Mill Valley nestled in Northern Californias Marin County provides a great backdrop for a relatively small but exceptional film festival.
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The FCC Showdown
Can Independents Win The Battle?
January 1st, 2004 | Matt DunneOn October 22, 2003, the FCC held a hearing on localism in Charlotte, NC. FCC chairman Michael Powell probably wished hed stayed home.
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Sweet Sixteen
Shooting up with 16MM
January 1st, 2004 | Gadi HarelMAY 10, 2003
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Digital Intermediates
It's Not Your Parents' Technique
January 1st, 2004 | Paul BoutinYour next film probably wont be digitally mastered. But the one after that probably will be. Thats how fast the costs of a digital intermediate are falling, even as the quality and benefits of digital mastering rise.
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Detroit, Michigan
Slowly grows fertile for filmmakers
January 1st, 2004 | Matthew MillerOver the course of two generations, Detroit has gone from a symbol of American industrial pro-wess to a shorthand term for the worst of American urban decay. The citys hardest days are over, thoughthe days when commentators were calling Detroit a third-world city or, as Diane Sawyer once said, the first urban domino to falland there are real signs of recovery.
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Ask the Documentary Doctor
January 1st, 2004 | Fernanda RossiDear Doc Doctor:
Is a short film the obligatory starting point of a filmmaking career? If so, what can I do with it when its finished? It doesnt seem to make financial sense to make a short.
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Paul Robeson Fund for Independent Media
Jason Guerrasio interviews Trinh Duong
January 1st, 2004 | Jason GuerrasioWhat is the Paul Robeson Fund for Independent Media?
It is a fund that gives grants to video, film, and radio programs.
How long has it been in existence?
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